My work is informed by an interest in the ideas of memory, fragility, transience and the vestiges of existence. Influenced by 18th Century Dutch landscape and still life painting and the idea of Nature Morte (laws of mother nature) capturing and preserving the ephemeral in its varying stages of growth, bloom and decay, my perception of beauty deepening and strengthening as time passes, with the realisation of human mortality, its transient, vulnerable and fragile nature - memories as a vestige of a life.
I am fascinated by the idea of the curiosity cabinet, victorian collectors of the strange and unusual and the housing of these precious objects, be it to elevate, protect or simply display items. I often enclose my work in antique domes or bespoke perspex display boxes, with hand painted backdrops reminiscent of taxidermy cases, creating an intriguing, unique environment, which can alter the viewers perceived idea of the value or status of an object.
I employ a muted palette but a wide variety of techniques and materials including, porcelain, paper, paint, photography, textiles, silver and found objects, incorporating printed and scanned script and photographs - a vestige of that which is no longer present .